Sergio Bosi EN
Böhm-System Sergio Bosi Principal solo clarinet of the FORM – Marche Philharmonic Orchestra “Really “first breath” love … From the very first notes you will be magically immersed in a new dimension where everything is elegance and quality beyond your imagination … “Perfection is invisible”. Thanks a lot Johannes !!!” https://www.youtube.com/watch?v=EEDaW78Lp4A&pp=ygUUc2VyZ2lvIGJvc2kgY2xhcmluZXQ%3D
Vitor Matos
Böhm-System Vitor Matos University of Minho, Portugal/ Chief Conductor of the Orquestra de Guimarães With this mouthpiece, I got wide sound, a lot of colours and flexibility. The homogeneity and tuning are also big aspects to notice. I fell very well! https://www.youtube.com/watch?v=4hB0HH65WTc
Weiguo Tang
Böhm-System Weiguo Tang Principal Clarinetist of Guiyang Symphony Orchestra
Hidan Mamudov
Böhm-System Hidan Mamudov Soloist “I am grateful that the B 11-7 mouthpiece has been developed and I have been able to choose several of them! They are very compatible with Legére reeds and sound beautiful and have great response!” https://www.youtube.com/watch?v=VeAanIxLpnU&list=OLAK5uy_kohynzIAh_IAlYUrPdWPnpeI5oZfGUQQ4&index=2
Vanderlei Alves
Böhm-System Vanderlei Alves Soloist “Certainly the best mouthpiece I ever played! It’s by far the only extremely flexible material with a gift of a warm and deep sound. Also I am able to play in a unique way that allows me to have a variety of colors and nuances. Finally, have the freedom to express […]
Paulo Martins
Böhm-System Paulo Martins Orquestra de Guimarães/ Guimarães Conservatoire Gleichweit mouthpieces were a big and nice surprise for me. For many years I played with others brands but no one offered me these qualities like Gleichweit did. I was reluctant to change my material but each day playing with this beauty I am starting to love […]
Daniel Ottensamer
Deutsches-System Daniel Ottensamer Principal Clarinetist of the Vienna Philharmonic Orchestra “With his unique expertise and technical capabilities, Johannes Gleichweit is the perfect choice for clarinet mouthpieces. What I find particularly helpful is the personal attention and his ability to immediately recognize the individual needs of clarinetists and make the necessary adjustments to the mouthpiece accordingly.”