Jazmin Szurcsik EN
Böhm-System Jazmin Szurcsik “To bring my musical ideas to life, I trust in mouthpieces from Gleichweit. Their unique combination of sensitivity, expertise, and precision allows me to express myself freely and consistently brings out the best in my playing. The exceptional quality, expert craftsmanship, and personalized support make Gleichweit mouthpieces truly stand out—whether you’re […]
Antonio Tinelli EN
Boehm- system Antonio Tinelli “I was very impressed with the Gleichweit mouthpiece. Softness, timbre, coloratura and balance between the registers are just some of the qualities that you can immediately feel and that you can no longer do without. The variety of openings allows you to find the one that best suits your needs. […]
Michele Zukovsky EN
German- system Michele Zukovsky ”Gleichweit has gifted the clarinet world an exceptional mouthpiece—one that offers remarkable expressiveness and a beautifully refined tone.” https://www.youtube.com/watch?v=x-pFwX6K1WE
Henry Caceres EN
Böhm-System Henry Caceres “The Gleichweit mouth piece is the ONE mouth piece that I was looking for several years. its sound is beautiful, not too dark, not too bright. I don’t have to do any extra effort or adjustment on my embouchure to make it work perfect! Its Intonation is very consistent throughout the entire […]
Kazuo Fujii EN
Böhm-System Kazuo Fujii Kazuo Fujii is one of Japan’s leading clarinetists and has tirelessly dedicated himself to expanding the possibilities of the clarinet and classical music. He studied at the Kunitachi College of Music, where he graduated with the highest honors and was awarded the Takeoka Prize. At the 41st Japan Music Competition, he received […]
Gloria Uberto EN
Böhm-System Gloria Uberto I chose the Gleichweit mouthpiece because of their warm, enveloping tone that helps me experiment and research my own sound.
Cathal Killen
Böhm-System Cathall Killeen I heard a great mentor and colleague, Oleg Shebeta Dragan, playing these mouthpieces and was impressed with the clarity of tone and “halo” of sound audible from the back of the concert hall. I’ve now switched to the 11-2 on Bb and model 19 on Bass clarinet, and both offer easy emission, stable intonation and […]
Christoph Zimper
German- system Univ. Prof. Mag. Christoph Zimper University for music- MDW, Vienna I am always amazed at how Johannes Gleichweit’s mouthpieces continue to set new standards time and time again over the years. It is thanks to his dedication and innovation that the sound of the Viennese clarinet enjoys such high international recognition. https://www.youtube.com/watch?v=9h1OTJsxCUY
Thomas Holzmann
German- system Thomas Holzmann Deutsches Symphonie-Orchester Berlin Never before has a mouthpiece adapted to my playing as seamlessly as the new ‘TH’ model. It offers even articulation across all registers, perfect air intake—especially in legato—and an elegant, well-balanced sound. I couldn’t be happier! Thank you, dear Johannes, for your innovative development in this field—chapeau!
Helmut Hödl
Deutsches-System Mag. Helmut Hödl Volksoper Vienna | Joseph-Haydn Konservatorium Eisenstadt I have been playing on mouthpiece facings by Johannes Gleichweit for 20 years now. We have known each other since our studies, and I appreciate him as an outstanding clarinetist who has always been deeply committed to the sound of the Viennese clarinet. He knows […]